媒介与社会性别——中国大陆的研究现状与发现
刘利群
一、媒介与社会性别研究现状
在媒介传播的研究中,社会性别是一个有效的分析范畴。社会性别与媒介传播被列为新闻传播学与女性研究的跨学科研究领域。在欧美发达国家,20世纪70到80年代是社会性别与媒介研究学科的形成期。形成的标志是该研究从新闻传播学术机构外部进入了内部。在中国,直到1995年第四次世界妇女大会之前,新闻传播与性别关系的研究未受到学界的应有关注。1995年世妇会的召开,国际妇女热点问题的提出和世界妇女对东道国妇女状况的热心和兴趣,也为中国妇女研究提供了范式和动力。特别是与会的189个国家政府和观察员签署了《行动纲领》。《纲领》确定了十二个重大关切领域。大众传媒与贫困、教育、健康等被列为最关切领域之一,列第十位。以此为契机,媒介与女性的研究开始得到发展。然而,无论从研究总量还是研究深度而言,在中国,媒介与女性的研究还相当有限。研究成果也很单薄,且未能形成体系。从研究机构、研究人员、研究文献以及未来的研究规划和研究课题上看可见,媒介与社会性别关系的研究在新闻传播学领域仍属于边缘性课题。
二、媒介与社会性别研究发现
媒介与社会性别研究主要包括对媒介文本、制作、受众三个领域进行的社会性别的检视与分析。
从社会性别视角透视媒介文本发现,媒介对女性形象的呈现存在着忽视的现象,媒介对女性形象的再现存在着刻板印象,媒介对女性的描述存在性别歧视现象。即媒介并没有全面、真实、积极地反映多元化的女性形象。这种现象的产生既有表层的原因,中层的原因,也有深层的原因还有中国的特殊情况。显性原因在于女性从业人员的数量和地位的局限所使然,中层原因则在于媒介制作结构与机制的男性主导的环境,而深层原因则在于生理决定论的社会价值观念在媒介中的反映。除此之外,中国大陆传统文化与社会转型的冲击也造成了女性形象的偏差。
关于制作领域的研究的焦点之一是对于媒体女性从业人员的研究。女性从业者的数量,在传播业的整体地位及女性所面临的特殊问题等都是考察的重点。研究发现,媒体女性从业者整体在业界处于不利地位。概括起来具有如下的特征,从属与服从的地位特征,软性与低层的专业特征,失语与无语的话语特征,弱势与游离的关系特征。
关于影响领域则发现媒介的性别形象会对人的性别观念造成影响,接触媒介的频度对的人性别观念影响会产生差异,不同性别人对媒介解读的不同,媒介的性别建构不仅影响人的观念还影响人的行为和生活。
Liu Liqun
Associate Professor of Communication University of China (CUC).
Director of Foreign Affairs Department, director of International Center and organizer of media and gender studies center of BBU. Visiting Scholar of California State University, Los Angeles (CSULA), Member of National Communication Association (NCA) of the United States.
Research Interests: Media and Gender, Broadcasting and Television Studies in the western countries
Publications: As writer, editor and translator of 5 books and more than 20 articles, including International Communication, Puzzledom of the Media Women, etc.
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Research on Media and Gender
――Present Situations and Discoveries in Chinese Mainland
Liu Liqun
1. Present situations of research on media and gender
In the research on media communication, gender is an effective analytical category. Media communication and gender is regarded as a trans-research field of journalism and communication and women’s studies. In European and American developed countries, it is in 1970s and 1980s that study on gender and media research was formed, with the symbol that academic institution from an outer organization into an inner one. In China, not until 1995, when the Fourth World Conference on Women (FWCW) was held in China, has the research on the relationships between journalism and communication and gender been paid attention by academy. With the opening of FWCW, hot issues on international women and the interests on the women’s conditions in host’s country, especially the subscription of Platform for Action among 189 countries and observers, gave great impetuses and models to the research on Chinese women. The Action shows its concerns on twelve significant fields, among which mass media ranked the 10th, listed as one of the most concern fields, followed by purity, education and health. With such a good opportunity, media and women studies began to develop. However, those studies are limited not only in quantities, but also in depth in China. Besides that, research fruits are very simple too, without a system. Therefore, from the aspect of organizations, staffs, references, future plans and subjects, research on the relationships between media and gender is still an edged field in the journalism and communication studies.
2. Discoveries of research on media and social gender
Research on media and gender mainly includes the analyses and inspections on gender on three fields, namely media texts, productions and audiences.
From the aspect of gender to see the media texts, we found such phenomena that the female
images’ presentations are ignored, reproductions are stiffened and descriptions are gender discriminated by the media. It is to say that the media could not reflect the women’s multi-images completely, truly and positively. For that, we could trace down many diversified levels of reasons, some on the surface, some in the medium, some down the deep, some due to Chinese characteristic conditions. Of them, the obvious reason is the limitation on the amount and social status of women employment, and the medium reason is the male-oriented situation in the framework and system on media production, however, the deep reason is the reflection of social values on physiology-determined in the media. Besides that, traditional cultures and impacts from social transition also made some deviations to the female images.
One of the focuses on production fields is the research on female staffs in media. The number of female staffs, the status in media industry and the special problems faced by women, all are the emphases of study. It is found that on the whole, female staffs in media still remain at a disadvantaged situation. To sum up, it has the following characters: obedient and subordinate in status, week and low in profession, wordless and mute in speech, feeble and dissociative in relationship.
In the influence field, we found that the gender images in media would influence people’s attitudes towards gender, and the frequency to the media could also make difference on people’s conceptions on gender. Different gender have different understandings on media, so the framework of gender in media influences not only people’s conceptions, but also people’s behaviors and livings.
女性传播者的话语缺位与生存困境
倪 桓
中国传媒大学2003级博士生
大众传媒已成为现代社会中影响性别观念形成的一个重要因素。媒体中女性被忽视甚至被歧视现象的存在,与女性传播者长期处于话语缺位和生存困境的媒介生态密切相关。女性传播者对社会性别文化的发展具有举足轻重的作用,本文从社会性别角色的视角关照了当今女性传播者不容乐观的生存境况,以期引发传播界的重视,使传媒真正为女性所参与。
Discourse Absence and Survival Dilemma of Female Communicators
Ni Huan
PhD. Student of Communication University of China
Today, mass media has become an important factor in forming gender conception of modern society. In China, women communicators abound, but they are still a minority at the media decision-making level, and few is regarded as equal as their male counterparts. It may be because the discourse right of the female reporters has been absent for so long, and they often exist in a rough media environment. Since women communicators have played an important role in the development of gender culture, the paper keeps an eye on their hard subsistence, in order to promote and ensure women’s equal access to all areas and levels of the media and establish a gender-balanced media system.
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媒介,科技与产业专场
目 录
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1 |
影响宽带接入快速发展的因素——美韩比较研究
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Gwang James Han |
2 |
付费电视——中国电视产业化的契机
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尹 鸿 |
3 |
结构中国数字广播电视
——对技术的社会语言学分析(1999-2003)
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Ian Weber |
4 |
突破·博弈·决胜
——2003~2005中国数字电视扫描
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黄升民,周 艳,
王 薇 |
5 |
中短波数字广播概况及其市场前景
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李 栋 |
6 |
台湾数字广播的现状与发展
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黄雅琴 |
7 |
屏幕化的报业革命
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陈中原 |
8 |
中国电视科技传播理论研究的现状与未来
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刘 斌 |
主持人
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洪浚浩
美国布法罗纽约州立大学传播系副教授,中华研究中心执行副主任
1995年获美国奥斯汀得克萨斯大学传播学博士。
2002--2004年任国际中华传播学会副会长兼研究主任;2004--2006年当选为国际中华传播学会会长。
研究领域:国际传播、国际广播电视电影、跨文化传播和媒体与社会发展等;近年来致力于全球传播体制和媒体的研究。
研究成果:在美国出版了专著《中国电视的国际化》,并在多种有影响的国际学术刊物上发表研究文章。
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Media, Technology & Industry
Index
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1 |
Factors affecting the rapid adoption of broadband access:
A comparative analysis of the US and Korea
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Gwang James Han |
2 |
Pay TV: Opportunity for Chinese TV Industry
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Yin Hong
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3 |
Shaping the Meaning of Digital Broadcasting in China:
A Socio-linguistic Analysis of Technology Discourse (1999-2003)
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Ian Weber |
4 |
Breakthrough · Fight · Defeat
——Scanning the development of Chinese Digital TV 2003-2005 |
Huang Shengmin,
Zhou Yan,
Wang Wei
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5 |
The General Situation and the Market Perspective
of the Digital MW & SW Audio Broadcasting
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Li Dong |
6 |
The Development of Digital Audio Broadcasting (DAB) in Taiwan
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Huang Yaqin |
7 |
Newspaper Revolution towards Screenlization
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Chen Zhongyuan |
8 |
Present Status and Future of the Study
on TV Technical Communication Theory in China
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Liu Bin |
Chair
Junhao Hong
Associate Professor at the Department of Communication, State University of New York at Buffalo, and Executive Associate Director of Center for Greater China Studies.
Ph.D. in communication,University of Texas at Austin (1995)
He is President (2004-2006) of Chinese Communication Association (CCA). He also served as Vice President & Research Chair, CCA (2002-2004).
Research Interests: international communication, intercultural communication, global media system, and media and social change.
Publications: He has published one authored book The Internationalization of Television in China (1998, Praeger) and more than one dozen of book chapters and numerous research articles in various international referred research journals. |
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Gwang James Han
研究所教授,美国霍华德大学约翰·H.约翰逊传播学院
校园宽带技术委员会副主席(1997—);校园宽带网委员会主席(2001—)
美国俄亥俄州立大学传播学院博士(1989),硕士(1985);
汉城国立大学公共管理学院硕士(1978);
韩国外国语大学学士(1976)
研究领域:影响电子媒介扩散的文化因素,媒介产业竞争;电信/频谱管理政策、电信与社会变迁;新兴媒介的经济和文化内涵
研究成果:《美国电信管制与政策》,大田:韩国通信电子研究院2000(译自克拉顿马克的《通信法律政策》);《多媒体时代政府角色的转变:一个传播角度》,大田:韩国通信电子研究院1998 |
影响宽带接入快速发展的因素:美韩比较研究
Gwang James Han
GWANG JAMES HAN
Graduate Professor of Howard University John H. Johnson School
Chair, School-wide Web Committee (2001- )
Vice Chair, School-wide Technology Committee (1997- )
PH. D.(1989),M.A(1985),Ohio State University, Department of Communication
M.A.(1978)Seoul National University, Graduate School of Public Administration,
B.A.(1976) Hankuk University of Foreign Studies
Research interests: Cultural factors affecting the diffusion process of electronic media, Media industry competition; Telecommunications/spectrum management policy, Telecommunications and social change; and Economic and Cultural implications of new media including the Internet
Publications: Telecommunications regulation and policy in the US. Taejon: ETRI, Korea2000 (Translated from Krattenmaker’s Telecommunications law and policy);
The shift of government role in the age of multimedia: A Communication perspective. Taejon: ETRI, Korea. 1998
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Factors affecting the rapid adoption of broadband access:
A comparative analysis of the US and Korea
Gwang James Han
This paper attempts to provide answers for the following three interrelated questions: (1) Why are US mass-market consumers not signing up for broadband access at the rate that they have been expected to? (2) Why is broadband more readily available in South Korea than in other countries? (3) What implications can be drawn from the Korean experience in their deployment of the broadband access? The TPC model - a triangulation of technology/business, policy and culture - has been employed for the analysis of the adoption processes of the broadband access in the US and Korea.
It is found that the Koreans’ rapid diffusion of the broadband access is the result of combining the government’s culturally-sensitive ICT policy that promotes both the supply and the demand of the broadband with the Koreans’ unique cultural traits including the sophisticated but hush-rush consumer behavior, the ‘Pang’ culture, the sanctity of education, the densely populated living condition, and the emerging dynamism in Korea. It is also found that the broadband access in the US has been adopted as quickly as even such rapidly adopted consumer technologies as TVs, VCRs, cell phones, CDs, and PCs. The claim of “slow adoption” in the US is valid only when the number is compared to Korea, Germany, Sweden, Spain, Brazil, or Canada. Four broader implications including the future of TV were drawn from this comparative analysis as conclusions.
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尹 鸿
清华大学教授,新闻与传播学院副院长、影视传播研究中心主任。
研究领域:影视传播、大众文化和比较文化研究
主要著作:专著有:《世纪转折时期的中国影视文化》、《镜像阅读》、《悲剧意识与悲剧艺术》、《徘徊的幽灵 -- 弗洛伊德主义与中国 20 世纪文学》、《世界电影史话》、《尹鸿影视时评》、《新中国电影史;
主编《全球化与大众传媒》、《Media in China》、《百年电影经典》、 “新闻与传播英文原版系列教材”(清华大学出版社)、“欧美影视传播主流教材译丛”(华夏出版社)等。
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付费电视:中国电视产业化的契机
尹 鸿
目前中国电视进行产业化改革的目标是通过开放——竞争——整合塑造市场主体,提高行业效益。但是,电视产业改革面临许多现实困难:1、电视台作为新闻媒体,难以将新闻作为产业进行管理;2、电视台都是国有国营事业机构,改革难度、风险、成本都相当巨大;3、中国电视台承担了信息传播的公益使命,完全产业化会影响信息传播和接受的平衡。
付费电视目前是中国电视产业化改革的最好突破口:1、付费电视可以只提供文化娱乐、信息咨询、教育科技内容而不涉及新闻内容;2、付费电视是一种消费服务,可以不承担公益使命;3、付费电视没有事业体制的束缚,可以完全按照市场规律发展。
目前中国付费电视应该制定完整、统一、有执行时间表的付费电视产业法规、政策。没有政策就没有产业,没有成熟的政策就没有成熟的产业:1、确定付费电视的属性,要求内容经营范围为文化娱乐、信息服务、教育科技;2、在保证文化安全前提下,降低准入门槛,面向社会制定有限开放的行业准入政策,甚至允许外资以合作方式进入付费电视节目制作和少量的频道经营;3、进入付费电视行业的机构必须是企业法人机构。鼓励电视台和其他国有单位成立企业进入,但只能享受平等企业待遇,不享有任何特权;4、确定付费电视节目审查、监督、惩罚的标准和执行程序,保证对节目内容的有效控制;5、许可各付费电视机构通过市场竞争进行兼并、收购、重组,在防止市场过度竞争的同时也要防止市场垄断,形成集中度与竞争性动态平衡的格局;6、在各地网络传输垄断经营的情况下,限制有线电视网络传输机构进入频道运营、集成运营,避免纵向垄断,保护内容产业。在各地有3个以上网络传输企业(包括卫星传输网络和宽带传输网络)运营以后,才许可纵向开放;应支持具有内容资源和内容生产能力的企业参与频道运营和集成;7、付费电视可以许可更高的节目进口配额和合作数量,保证针对特定受众的节目来源。
产业政策应该付费电视的有序发展,尽量避免盲目、避免急功近利,避免政策反复。最终可以形成以节目内容为核心,开路免费的新闻媒体与付费消费的大众媒体、公益电视与商业电视并存的局面,进而形成中国传媒的大市场、大产业。
Yin Hong
Professor, Associated Dean, School of Journalism and Communications
Director, Center for Film and TV Studies, Tsinghua University
B.A. & M.A. of Chinese, Sichuan University (1981, 1984); Ph.D. of Chinese, Beijing Normal University (1989)
Research Interests: Contemporary Chinese Literature & Cinema, Film & Television Industry, Media culture study
Publications: Cinema History in New China (2003), Yin Hong’s Review for Movie and TV (2002), Globalization and Mass Communication (Co-ed. 2002), Media in China (Co-ed. 2002), History of World Film (2000), Reading Art of Film (ed. 1999), Reading Mirror Images (1998), Chinese Film and TV Culture at the Turn of the Century (1997), Criticism on Contemporary Chinese Popular Culture (Co-ed. 1997), Freudism and Chinese Literature in the 20th Century (1994) , Western Modernism and Chinese Literature in the 20th Century (Co-ed. 1992)
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Pay TV: Opportunity for Chinese TV Industry
Yin Hong
The current object of Chinese TV industry reform is to increase industry effectiveness by opening the industry, introducing competitions and integrating the market. However, there are many obstacles to the TV industry reform:
It is difficult for TV stations as news media themselves to manage news contents as an industry;
All TV stations are state-owned organizations, which increase the costs, risks and difficulties of reform;
TV stations in China carry the mission of community communication; total marketing will affect the balance of communication and reception.
Pay TV is the best niche for the reform of Chinese TV industry:
Pay TV can provide entertainment, information, education and science programmes only, excluding news programmes;
Pay TV is a consumer service, which does not bear the mission of community services;
Pay TV does not have the restrictions of existing organizational framework, and it can develop according to market needs.
A comprehensive and consistent industry policy with exact timetable of implementation should be formulated for the Pay TV industry in China. A well-defined policy will provide a guideline for the industry and enhance constructive development:
Define the scope for Pay TV to cover entertainment, information, education and science programmes only;
Provided that cultural security is observed, the relevant policy should be formulated to lower the entry barrier and open the industry to general investors and even foreign investors (in partnership or co-operation) to produce Pay TV programmes and manage certain channel resources;
Only legal enterprises can operate Pay TV business, existing TV stations and other state-owned enterprises are encouraged to form independent legal enterprises to enter the business, but they should not have any privileges over other investors;
Formulate standards and procedures for censorship, monitoring and penalty to ensure the contents of programmes are well scrutinized;
Allow acquisition, merger and restructuring among Pay TV operators as long as the balance of competition and industry centralization is maintained without unhealthy competitions and industry monopoly;
Given that the network infrastructure is currently monopolized, cable TV network suppliers should be restricted from channel management and integrated business to prevent vertical monopoly and to protect content providers. Vertical business expansion is only permitted when there are more than 3 network suppliers (including satellite communications and broadband network); enterprises with content resources and programme production capabilities should be involved in channel management and integration;
Pay TV should be allowed to have more quota for imported and co-operative programmes to cope with the needs of specific audiences.
The industry policy will help the Pay TV industry develops in an orderly manner; short-sighted objectives and changing policies should be avoided. The ultimate aim is to construct a media market and industry that is content oriented where both free news media and pay mass media, community and commercial TV co-exist in harmony.
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黄升民
教授,广播电视研究中心广播电视经营与管理研究所所长,中国传媒大学广告学院院长。
1989年4月毕业于日本一桥大学研究生院,获社会学硕士学位。
研究领域:广告理论与实践、媒介产业研究、媒介经营与管理、数字电视与新媒介研究等。
主要著作:《广告观》、《国际化背景下的中国媒介产业化透视》、《中国广电媒介集团化研究》(合著)、《数字电视产业经营与商业模式》(合著)等。 |
突破 博弈 决胜
——2003~2005中国数字电视发展扫描
黄升民 周 艳 王 薇
中国的数字电视产业发展经历了数年长时间的沉寂、徘徊、摸索,近年来突然取得暴发性的进展,其标志就是发展方向的确立、发展战略的规划以及操作模式的认定。这三件事情均发生在2003年,因而,我们称2003年为“突破之年”。
正如一切事物的发展必然经历迂回曲折一样,进入2004年以来,在发展规划的大前提之下,围绕着整体平移、运作方式以及产业的主导权,不同的利益力量展开了激烈的攻防。所以,我们称2004年为“博弈之年”,而数字电视正是在各派力量博弈中曲折前行。
未来的2005年将是一个什么样的年份呢?突破之后为博弈,博弈之后为决战,2005年是不是各种力量博弈之后进入决算的阶段呢?技术、市场和体制的三个层面的挑战、竞争和冲突最终给中国的数字电视产业带来什么样的结果?因而,我们预言2005年为“决胜之年”。
中国数字电视经过“突破之年”和“博弈之年”,即将进入“决胜之年”,这三年每一场战役都非同寻常,事关整个广电系统的生死存亡。
Huang Shengmin
Professor, Director of Institute of Radio & TV Management, Dean of Advertising College in CUC.
Research Interests: Advertisement, Radio & TV Management, Media Economy, the digital media and the new media, etc.
Publications: Idea of Advertisement, Insights of Chinese Media Industry in the Globalization Approach, Study on China Broadcasting & TV Groups (co-authored), Insights of Chinese Media Industry with a Globalization Perspective (co-authored), The Business Models of Digital Television Industry Operation (co-authored), etc.
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Breakthrough · Fight · Defeat
——Scanning the development of Chinese Digital TV 2003~2005
Huang Shengmin,Zhou Yan,Wang Wei
After years of dreariness, wandering and groping, Chinese digital TV industry has gained huge advancements with the establishment of the development direction , planning of the development strategy and cognizance of the operating model as the sign. All those things happened in 2003, so we call the year 2003 “ a breakthrough year”.
As everything has its twists and turns, different benefit bearers have carried out fierce fights and defenses with the development and planning as the premise, enclosing the dominant right of the general shift, operating mode and industry. So we call the year 2004 “the year of fight”. Digital TV zigzags forward among different powers.
What kind of year would the future 2005 would be ? Fight comes after breakthrough, a decisive battle comes after fight, so is 2005 the year of final accounts after the fights among different powers? What kind of consequences would the challenges , competitions and conflicts among the three lays of technology, market and system bring to the Chinese digital TV industry? So we predict that 2005 is the year of “decisive battle”.
Chinese digital TV is coming to “the year of decisive battle” after “the year of breakthrough” and “the year of fight”. Each battle in the past three years is unusual and affects the life and death of the whole radio and TV system.
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黄雅琴
台湾世新大学广播电视电影学系专任讲师
美国俄亥俄州立大学广电硕士
研究领域:广播市场生态与发展、各类广播节目企划与制作、广播节目规划管理、电台经营管理、广播写作等。
近期论文:《网络电台节目制播与广播高等教育人才培育之关系—以银河网络电台为个案研究》、《台湾广播节目现况与发展》、《台湾类型电台的现况》等。 |
台湾数字广播的现状与发展
黄雅琴
数字广播(Digital Audio Broadcasting,简称DAB)是继调幅、调频广播之后的第三代广播,是广播领域中数字式的革命。数字广播具有可同时播送多个CD品质的立体声频道节目,也可同时传送数据数据频道。在欧洲电信标准组织(ETSI)及国际电信联盟(ITU)相继确立Eureka-147为数字广播的标准后,世界各国政府就相继开始进行数字广播的运作。
台湾地区交通部于1996年开始推动数字广播,1998年决定适用欧洲Eureka-147系统,至于美规(IBOC)则不适用于台湾,因为台湾地区合法频道多到拥挤的地步,更不用说尚有夹缝中的非法频道,因此IBOC在台湾不但不能顺利发射与接收,传输能力也不敌Eureka。
在台湾,政府扮演的角色只是发放执照让各业者进行技术试播,却未见其它动作,从广电法修订乃至数字广播推广,皆由业者一手包办,甚至反过来由商业势力催促着政府的脚步。在资金来源方面,除了公营电台外,皆由业者从模拟音讯市场的营业利益提拨,政府并未给予协助。此与英国、法国、日本、新加坡、中国大陆等国政府积极带动DAB相关产业发展迥然不同。
新闻局即将于2004年八月开放数字广播频率执照申请,在220兆赫240兆赫的VHF频率上,释出五个频道,包括三张全区与两组地区区域网,所谓两组地区区域网将依北中南三地各释出两个频道,但由于中区频率另有他用,因此将是北二、中一与南二的执照张数,因此共计释出八张执照。广播业将面临全新的竞争态势,也为收音机等新型终端设备带来千亿元商机,台湾的广播将走入数字化时代。
即使数字广播有诸多优点,但目前台湾在推行上仍有其困难有待突破。本文将从「技术面」、「财务面」、「消费面」、「人才面」及「政策面」一一分析。最关键的还是希望主管机关尽速完成法令规范未来发展趋势、及早承诺未来会使用欧规(Eureka-147)或美规(IBOC),以「专业视角」凌驾「政治考量」,期使现阶段获得试播执照的电台及相关业者有心继续致力参与研发。
Huang ya-chin
Lecturer,Dept. of RTF Shih Hsin University,Taiwan
M.A of The Ohio State University, USA
Research Interests: The History of Radio, Radio Production, Radio Programming, Radio Management, Writing for Radio
Papers: A Study of the Correlation between Taiwan’s Radio Higher Education and Web Radio Industry(2004), The Radio Programming in Taiwan:A Case Study of BCC, UFO, and ASIA FM(2004), The Format Stations in Taiwan(1999) |
The Development of Digital Audio Broadcasting (DAB) in Taiwan
The new digital radio system DAB (Digital Audio Broadcasting), described in the European Eureka-147 standard, is a very innovative broadcast system and has attracted intensive attention in recent years because of its high quality audio service and supporting multimedia data to mobile, portable and fixed receivers. DAB will soon replace the existing analog broadcasting such as AM (Amplitude Modulation) and FM (Frequency Modulation) in the future.
Ministry of Transportation and Communications of Taiwan have developed DAB since 1996. It was determined to adopt Eureka-147 in 1998. The IBOC (In Band On Channel) is not applicable because many illegal channels as well as legally authorized ones exist in Taiwan. The situation causes it obstructed for launching or receiving IBOC. Furthermore, the transmission for Eureka-147 surpasses that for IBOC.
In Taiwan, the government plays the role as only releasing license to the broadcasting operating company for do nothing except technical test run. It is the operating company who leads the amendment of Radio & Television Law and even application of DAB. The influence from business side stimulates the approach from the official authorities concerned. The public broadcasting company obtains the funds from the government while the private one is supported by the profit from analogue audio market. The profile of DAB development in Taiwan is much different from that in UK, France, Japan, Singapore or Mainland China.
The Government Information Office(GIO) will open the application of DAB channel license, including five channels with three full-type and two local-type in the scope from 220 to 240 VHZ in August 2004. There will be eight sets of license released where two in the northern region, one in the middle region and two in the southern region will exist. It is expected that the broadcasting company will face a new competition, which promotes the utilization of new type of audio terminal equipment and then create the business opportunity. The milestone of DAB in Taiwan is foreseen in the near future.
It is still difficult to propagat DBA in Taiwan although DBA demonstrates much merit. The findings will be made from the profiles of technical, financial, consuming, personnel or policy considerations. The critical approach is for the authorities concerned to finish legal specification in light of the trend of development in the future. It is expected for the authorities concerned to confirm the adoption of the DAB system (Eureka-147 or IBOC). Furthermore, professional vision instead of political vision prevails to encourage the involvement and research from the broadcasting operating company with license of test run.
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陈中原
高级记者,中国教育报刊社新闻研究中心研究员
1983年毕业于华中农业大学;1983年至今供职于中国教育报,先后任助理记者、记者、主任记者、新闻研究中心研究员。
代表作品:我国报业市场近十年变化趋势(1999),世界传媒大亨排行榜的启示(2000),《邻居的“馈赠”》(2001)。
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屏幕化的报业革命
陈中原
数字技术促使传媒生态演变,所有媒体向着全球化方向聚集。这种全球化的聚集实际上是多样化的屏幕聚集。在这种数字化、全球化、多样化的新屏幕环境下,世界报业发生三次革命性的变化。第一次革命是报纸的编辑、排版和印刷的屏幕化,从此告别800多年活字印刷的历史。第二次革命是内容传播的屏幕化,即传统印刷版发展到免费浏览的网络版,且部分报纸的网络版不再是印刷版的翻版,有超越印刷版的趋势。第三次革命是屏幕版本的多样化,从免费浏览的网络版回归到付费的电子阅读版、电子印刷版、数字手机版等多种形式的版本。因此,现代报纸至少具有四种版本:传统印刷版、电子印刷版、电子阅读版、手机图文版。随着报纸版本的不断丰富,报纸编辑、印刷、发行等方面正发生深刻变化:内容编辑不仅是传统的消息,而且应当快速编发网络及时新闻,同时编发短而又短的手机新闻;印刷与发行正从集中印刷批发到分散印刷发行再到个性化的发行印刷,印刷和发行不但突破了时间限制,而且突破了地域限制,读者在任何时候、任何地方都可以及时阅读来自家乡的消息。
Chen Zhongyuan
Senior Reporter, Media Research Center, China Education Press Agency
B.A. Huazhong Agricultural University (1983); China Education Daily (1983- )
Publications: Some Trends in Newspaper Market Last Decade(1999), List of World Media Giants Inspiring Us with Collectivizing in Media(2000), Pollutions Stride over the Boundaries(2001)
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Newspaper Revolution towards Screenlization
Chen Zhongyuan
Right now, there are more than four editions for modern newspapers: the printed edition, the treeless edition, the digital printed edition, and the mobile edition. The late three are digital editions. The digital editions are triggers for the newspaper revolution on the screen. From the printed edition to the treeless edition or the global edition, the publishers can distribute the newspapers to any corner around the world, and the reader can read home newspaper wherever he/she is and whenever he/she likes. From weblogging to moblogging, the context of newspapers on mobile buys the potential consumers to read the content of newspapers. More and more newspapers can make money from Internet and mobile while different media---television, radio, magazine, and newspaper converge on the color picture screen.
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刘 斌
中央电视台社教节目中心科技专题部编导
毕业于河南大学管理科学系,获法学学士。
研究方向:电视节目研究;已在《中国广播电视学刊》、《电视研究》、《中国广播影视》、《媒介》、《媒介研究》、《西部电视》等刊物发表学术论文9篇。 |
中国电视科技传播理论研究的现状与未来
刘 斌
目前中国电视科技传播理论研究状况一直比较薄弱,在电视理论界和科技理论界都很少有关于电视科技传播理论研究的论文或学术成果,其理论发展远远滞后于节目的发展,同时又因缺少超前理论的指导和推进,科技节目的发展变化也比较慢。与出版界、科技界在科技传播理论上的研究相比,电视科技传播的理念更新和理论研究也相对比较滞后,出版界和科技界在科技传播理论研究方面有许多新的科技传播理论不断被提出,许多专著和论文也为电视科技传播及理论发展提供了许多借鉴的内容。另外,中国从事电视科技传播研究的机构和专家也较少。
要改变目前中国电视科技传播理论研究薄弱的状况,首先要拓宽研究的视野,加强对于电视科技节目相关的领域、相关的交叉学科的研究,研究对象也不必局限于已有的科技节目,可以把研究的对象拓展到其它电视节目,多进行一些对比性研究。第二,理论界和从业者要转变对电视科技节目理论研究的态度,现在电视科技节目涉及的领域越来越广泛,国外电视科技节目的发展速度很快,科技节目市场逐渐扩大,国内电视科技节目的发展也处在稳步上升的状态,电视科技传播节目需要研究的理论问题和空白很多,理论创新的空间很大。科技节目的从业者可以科技节目策划、操作、传播等层面,其它电视节目的从业者可以从科技节目内容与其它节目内容的交叉与互动的层面,专家学者可以从科技传播的媒介互动、受众心态、节目营销、科技节目产业化等层面去推动科技节目理论的创新。积极的研究态度是电视科技节目理论创新的“催化剂”。第三,节目创新与理论创新的互动。节目创新是理论创新的基础,新的节目形态的成功会带来理论研究的活跃和创新;理论创新的最终目的也是为了推动和刺激节目创新,有了不断创新的理论,节目创作人员才会站在更高的高度去思考和改进节目,带来新一轮的节目创新。
Liu Bin
Editor, Social and Educational Programming Center, CCTV
B.A. of Law, Henan University
Research Interests: Television program research
Papers: 9 paper in CHINA RADIO & TV ACADEMIC JOURNAL,TV RESEARCH, CHINA RADIO FILM & TV , MEDIA , MEDIA RESEARCH, WEST TV etc. |
Present Status and Future of the Study
On TV Technical Communication Theory in China
Liu Bin
At present, it is comparatively weaker in the Study on TV Technical Communication Theory in China. And there’re fewer thesis or articles on TV science. But there are more such articles in publishing and technology field, which set up an example for TV to learn.
To change this circumstance, many actions have to been executed. First, the study field should be broadened. Second, the researchers and practitioners should change their attitudes towards TV science program’s theoretical study, for there is much space for theoretical innovation. Third, the program’s innovation should be interacted with theoretical innovation. And the former one lays the foundation for the later one. While, the theoretical should innovates to push the process of program’s innovation.
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